Many of her works were exhibited posthumously during September and October 1910 at the Corporation Art Gallery in Brighton, England, her last place of residence. She was working on the unfinished The Annunciation on the day of her death in 1906. A very serious illness that affected her from 1893–1894 nearly ended her career: she was never again able to stand while painting and was forced to take frequent breaks from her work, which was consequently limited to sketches and smaller paintings. Dodson's work was frequently interrupted by poor health. She was living in France in 1891 when she decided to move to Brighton, England, where her brother R. She also painted a mural for the reception room of the Pennsylvania State Building at the Exposition. ĭodson exhibited her work at the Palace of Fine Arts and the Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois. She also exhibited at the Pennsylvania Academy of the Fine Arts in 18, the National Academy of Design during the 1880s and 1890s, the Society of American Artists in 1878, the 1889 Paris Exposition, and others. For The Morning Stars that she made in 1886 she adopted a "poetic style" that reflects influences of English Pre-Raphaelites and French symbolism. ![]() In 1885 she returned to the United States and began creating plein-air landscape paintings. This was followed by one of her more famous works, The Signing of the Declaration of Independence, painted c. Dodson's 1883 Salon entry The Bacidae was described by an art critic as "the most important work by an American woman this year" in the August 1883 edition of The Art Amateur. In New York it was shown at the National Academy of Design's annual exhibition in 1883. Examples include Deborah (1879), which was shown in Paris at the Exposition Universelle in 1879 and a year later at the Paris Salon, and The Invocation of Moses, which was exhibited in 1882 at the Paris Salon. Her works were influenced by the Italian Renaissance, particularly by Michelangelo. Titian, Bacchus and Ariadne, 1520-1523, National Gallery, London About 1890 she returned to Paris and studied under Jules Joseph Lefebvre for a brief period, and occasionally received tutelage from Louis-Maurice Boutet de Monvel. ![]() ![]() She studied under Évariste Vital Luminais for three years beginning in 1873. She was one of many American women who went to Paris to study art from distinguished artist. Her formal study of art did not commence until after his death, in 1872, when she enrolled as a private pupil of Christian Schussele at the Pennsylvania Academy of the Fine Arts. Richard Dodson discouraged his daughter's artistic pursuits, being strongly opposed to the serious pursuit of art by women. Dodson's artistic tendencies developed early, when she began drawing at the age of three. Her father was a man of artistic tastes who had done amateur line engraving and miniature painting work before his eyesight began to fail at a young age. She was the only daughter of Richard Whatcoat Dodson and Harriott Dodson. Sarah Paxton Ball Dodson was born in Philadelphia, Pennsylvania, on February 22, 1847.
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